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A 20
Adair, Stephanie,.
The Aesthetic Use of the Logical Functions in Kant's Third Critique / / Stephanie Adair. - 1515/97831105760789783110574791. - Berlin ; ; Boston : : De Gruyter,, ©2018. - 1 online resource (312 pages). ( час. мин.), 1515/97831105760789783110574791. - (Kantstudien-Ergänzungshefte, ; band 202). - In English. - Includes bibliographical references (pages 292-295) and index. - URL: https://library.dvfu.ru/lib/document/SK_ELIB/3E898C29-F92A-4984-8C16-7B4903A7BB39. - ISBN 9783110574920 (electronic bk.). - ISBN 3110574926 (electronic bk.). - ISBN 3110574799. - ISBN 9783110574791
Online resource; title from PDF title page (publisher's Web site, viewed 25. Jul 2018).
Параллельные издания:
1. Print version: :
2. Print version: :
~РУБ DDC 100
Рубрики: Judgment (Aesthetics)
Judgment (Logic)
PHILOSOPHY--Essays.
PHILOSOPHY--Reference.
Aesthetics.
Judgment (Aesthetics)
Judgment (Logic)
Аннотация: In the third Critique Kant details an aesthetic operation of judgment that is surprising considering how judgment functioned in the first Critique. In this book, I defend an understanding of Kant's theory of Geschmacksurteil as detailing an operation of the faculties that does not violate the cognitive structure laid out in the first Critique. My orientation is primarily epistemological, elaborating the determinations that govern the activity of pure aesthetic judging that specify it as a "bestimmte" type of judgment without transforming it into "ein bestimmendes Urteil". I focus on identifying how the logical functions from the table of judgments operate in the pure aesthetic judgment of taste to reveal "the moments to which this power of judgment attends in its reflection" (CPJ, 5:203). In the course of doing so, a picture emerges of how the world is not just cognizable in a Kantian framework but also charged with human feeling, acquiring the inexhaustible, inchoate meaningfulness that incites "much thinking" (CPJ, 5:315). The universal communicability of aesthetic pleasure serves as the foundation that grounds robust intersubjective relations, enabling genuine connection to others through a shared a priori feeling.
Доп.точки доступа:
Kant, Immanuel,
A 20
Adair, Stephanie,.
The Aesthetic Use of the Logical Functions in Kant's Third Critique / / Stephanie Adair. - 1515/97831105760789783110574791. - Berlin ; ; Boston : : De Gruyter,, ©2018. - 1 online resource (312 pages). ( час. мин.), 1515/97831105760789783110574791. - (Kantstudien-Ergänzungshefte, ; band 202). - In English. - Includes bibliographical references (pages 292-295) and index. - URL: https://library.dvfu.ru/lib/document/SK_ELIB/3E898C29-F92A-4984-8C16-7B4903A7BB39. - ISBN 9783110574920 (electronic bk.). - ISBN 3110574926 (electronic bk.). - ISBN 3110574799. - ISBN 9783110574791
Online resource; title from PDF title page (publisher's Web site, viewed 25. Jul 2018).
Параллельные издания:
1. Print version: :
2. Print version: :
Рубрики: Judgment (Aesthetics)
Judgment (Logic)
PHILOSOPHY--Essays.
PHILOSOPHY--Reference.
Aesthetics.
Judgment (Aesthetics)
Judgment (Logic)
Аннотация: In the third Critique Kant details an aesthetic operation of judgment that is surprising considering how judgment functioned in the first Critique. In this book, I defend an understanding of Kant's theory of Geschmacksurteil as detailing an operation of the faculties that does not violate the cognitive structure laid out in the first Critique. My orientation is primarily epistemological, elaborating the determinations that govern the activity of pure aesthetic judging that specify it as a "bestimmte" type of judgment without transforming it into "ein bestimmendes Urteil". I focus on identifying how the logical functions from the table of judgments operate in the pure aesthetic judgment of taste to reveal "the moments to which this power of judgment attends in its reflection" (CPJ, 5:203). In the course of doing so, a picture emerges of how the world is not just cognizable in a Kantian framework but also charged with human feeling, acquiring the inexhaustible, inchoate meaningfulness that incites "much thinking" (CPJ, 5:315). The universal communicability of aesthetic pleasure serves as the foundation that grounds robust intersubjective relations, enabling genuine connection to others through a shared a priori feeling.
Доп.точки доступа:
Kant, Immanuel,
2.
Подробнее
M 30
Marino, Stefano, (1976-).
Kant's Critique of Aesthetic Judgment in the 20th Century : : a Companion to Its Main Interpretations / / edited by Stefano Marino and Pietro Terzi. - Berlin ; ; Boston : : Walter de Gruyter GmbH,, 2021. - 1 online resource (392 pages). - URL: https://library.dvfu.ru/lib/document/SK_ELIB/4A36441F-7FAF-4547-8E95-38AA194CB945. - ISBN 3110596490. - ISBN 9783110596496 (electronic bk.)
Print version record.
Параллельные издания: Print version: : Marino, Stefano. Kant's Critique of Aesthetic Judgment in the 20th Century : A Companion to Its Main Interpretations. - Berlin/Boston : Walter de Gruyter GmbH, ©2020. - ISBN 9783110596137
Содержание:
Intro -- Acknowledgments -- Table of Contents -- List of Abbreviations -- Introduction -- The Unity and Plurality of Culture -- Blank Spaces and Blank Spots -- The Place of Kant's Critique of the Power of Judgment in Gadamer's Hermeneutics -- Modern Research Procedures and their Conflicts in View of Dignity -- Disinterest and an Overabundance of Subjectivity -- Kant, Max Horkheimer and Picasso -- Think for Oneself and Broad-Minded Thinking -- Eric Weil's Reading of the Critique of the Power of Judgment -- The Discordant Accord of the Faculties -- "Through Königsbergian Mists."
Exceeding Exposures -- Reflective Judgment, Abduction and Predictive Processing -- Aesthetic Experience and Its Values -- Retrieving Kant's Aesthetics for Art Theory After Greenberg -- Stanley Cavell and the Critique of the Linguistic Power of Judgment -- Kant's Concept of Power of Judgment and the Logic of Artistic Improvisation -- Kant and Everyday Aesthetics -- About the Contributors -- Index of Concepts -- Index of Names
~РУБ DDC 121
Рубрики: Judgment (Aesthetics)
PHILOSOPHY--History & Surveys--Modern.
Influence (Literary, artistic, etc.)
Judgment (Aesthetics)
Аннотация: Kant's Critique of Judgment represents one of the most important texts in modern philosophy. However, while its importance for 19th-century philosophy has been widely acknowledged, scholars have often overlooked its far-reaching influence on 20th-century thought. This book aims to account for the various interpretations of Kant's notion of aesthetic judgment formulated in the last century. The book approaches the subject matter from both a historical and a theoretical point of view and in relation to different cultural contexts, also exploring in an unprecedented way its influence on some very up-to-date philosophical developments and trends. It represents the first choral and comprehensive study on this missing piece in the history of modern and contemporary philosophy, capable of cutting in a unique way across different traditions, movements and geographical areas. All main themes of Kant's aesthetics are investigated in this book, while at the same time showing how they have been interpreted in very different ways in the 20th century. With contributions by Alessandro Bertinetto, Patrice Canivez, Dario Cecchi, Diarmuid Costello, Nicola Emery, Serena Feloj, Günter Figal, Tom Huhn, Hans-Peter Krüger, Thomas W. Leddy, Stefano Marino, Claudio Paolucci, Anne Sauvagnargues, Dennis J. Schmidt, Arno Schubbach, Scott R. Stroud, Thomas Teufel, and Pietro Terzi.
Доп.точки доступа:
Terzi, Pietro, \editor.\
Kant, Immanuel,
M 30
Marino, Stefano, (1976-).
Kant's Critique of Aesthetic Judgment in the 20th Century : : a Companion to Its Main Interpretations / / edited by Stefano Marino and Pietro Terzi. - Berlin ; ; Boston : : Walter de Gruyter GmbH,, 2021. - 1 online resource (392 pages). - URL: https://library.dvfu.ru/lib/document/SK_ELIB/4A36441F-7FAF-4547-8E95-38AA194CB945. - ISBN 3110596490. - ISBN 9783110596496 (electronic bk.)
Print version record.
Параллельные издания: Print version: : Marino, Stefano. Kant's Critique of Aesthetic Judgment in the 20th Century : A Companion to Its Main Interpretations. - Berlin/Boston : Walter de Gruyter GmbH, ©2020. - ISBN 9783110596137
Содержание:
Intro -- Acknowledgments -- Table of Contents -- List of Abbreviations -- Introduction -- The Unity and Plurality of Culture -- Blank Spaces and Blank Spots -- The Place of Kant's Critique of the Power of Judgment in Gadamer's Hermeneutics -- Modern Research Procedures and their Conflicts in View of Dignity -- Disinterest and an Overabundance of Subjectivity -- Kant, Max Horkheimer and Picasso -- Think for Oneself and Broad-Minded Thinking -- Eric Weil's Reading of the Critique of the Power of Judgment -- The Discordant Accord of the Faculties -- "Through Königsbergian Mists."
Exceeding Exposures -- Reflective Judgment, Abduction and Predictive Processing -- Aesthetic Experience and Its Values -- Retrieving Kant's Aesthetics for Art Theory After Greenberg -- Stanley Cavell and the Critique of the Linguistic Power of Judgment -- Kant's Concept of Power of Judgment and the Logic of Artistic Improvisation -- Kant and Everyday Aesthetics -- About the Contributors -- Index of Concepts -- Index of Names
Рубрики: Judgment (Aesthetics)
PHILOSOPHY--History & Surveys--Modern.
Influence (Literary, artistic, etc.)
Judgment (Aesthetics)
Аннотация: Kant's Critique of Judgment represents one of the most important texts in modern philosophy. However, while its importance for 19th-century philosophy has been widely acknowledged, scholars have often overlooked its far-reaching influence on 20th-century thought. This book aims to account for the various interpretations of Kant's notion of aesthetic judgment formulated in the last century. The book approaches the subject matter from both a historical and a theoretical point of view and in relation to different cultural contexts, also exploring in an unprecedented way its influence on some very up-to-date philosophical developments and trends. It represents the first choral and comprehensive study on this missing piece in the history of modern and contemporary philosophy, capable of cutting in a unique way across different traditions, movements and geographical areas. All main themes of Kant's aesthetics are investigated in this book, while at the same time showing how they have been interpreted in very different ways in the 20th century. With contributions by Alessandro Bertinetto, Patrice Canivez, Dario Cecchi, Diarmuid Costello, Nicola Emery, Serena Feloj, Günter Figal, Tom Huhn, Hans-Peter Krüger, Thomas W. Leddy, Stefano Marino, Claudio Paolucci, Anne Sauvagnargues, Dennis J. Schmidt, Arno Schubbach, Scott R. Stroud, Thomas Teufel, and Pietro Terzi.
Доп.точки доступа:
Terzi, Pietro, \editor.\
Kant, Immanuel,
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