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S 72
Songs of social protest : : international perspectives / / edited by Aileen Dillane, Martin J. Power, Eoin Devereux and Amanda Haynes. - London ; ; New York : : Rowman & Littlefield International,, [2018]. - 1 online resource (x, 672 pages). : il. - (Protest, media and culture). - Includes bibliographical references and index. - URL: https://library.dvfu.ru/lib/document/SK_ELIB/E8374436-33CB-4737-8968-A7ECE3084B61. - ISBN 9781786601278 (electronic book). - ISBN 1786601273 (electronic book)
Description based on online resource; title from digital title page (viewed on October 17, 2019).
Параллельные издания: Print version: : Songs of social protest. - London ; New York : Rowman & Littlefield International, [2018]. - ISBN 9781786601254
Содержание:
Cover; Songs of Social Protest; Series page; Songs of Social Protest: International Perspectives; Copyright page; Contents; Foreword; Introduction; Protest and the African American Experience; Chapter 1; Social Protest and Resistance in African American Song; The Oral Tradition; Language; Georgia Sea Island Singers; From Jim Crow to the Civil Rights Movement; Conclusions; Notes; Chapter 2; "You'll Never Hear Kumbaya the Same Way Again"; Didn't My Lord Deliver Daniel?; Come By Hyar; Which Side Are You On?; Singing Their Freedom; The Kumbaya Law; Black Liberation Then and Now
Taking Back "the real Kumbaya"Notes; Chapter 3; Billie Holiday's Popular Front Songs of Protest; "Strange Fruit," Café Society and the Left; "High Art" From Below; "Strange Fruit" for Billie Holiday; God Bless the Child; Race, Class, and the Musician as Organic Intellectual; Conclusion; Notes; Protest Genealogies; Chapter 4; Songs of Social Protest, Then and Now; Sociology and Music; Songs and Protest; Charismatic Leaders and the Transformation of Folk Songs; Social Movements; Popular Music as Protest Music; Conclusion; Note; Chapter 5; Pete Seeger and the Politics of Participation
The Road to a Constructionist ApproachRethinking "Political Music"; Audience Participation as Democratic Practice; Theorizing Audience Participation; Adorno Redux; Notes; Chapter 6; The Radicalisation of Phil Ochs, the Radicalisation of the Sixties; The Birth of a Radical; Reform, Resistance, Revolution; Radical Reform and Civil Rights; Student Power and Resistance; Goodbye to All That Liberalism; The Ringing of Revolution; Conclusion; Chapter 7; Ewan MacColl's Radio Ballads as Songs of Social Protest; Ewan MacColl: from dramatist to songwriter; The Radio Ballad concept
John Axon and the poetry of everyday speechWork and identity; Tape editing and heteroglossia; Against pop culture: On the Edge (1963); Conclusion; Notes; Chapter 8; 'Message Songs are a Drag'; Notes; Transforming Traditions; Chapter 9; Expressions of Māʻohi-ness in Contemporary Tahitian Popular Music; Expressions of Political and Social Protest in Tahiti; The Māʻohi Cultural Identity; The Tahitian Musical Landscape; Henri Hiro and his Intellectual Descendants; Orality; ʻAparima, Literature and Traditional Arts; Bobby Holcomb; Aldo Raveino; The Emergence of a new Generation of Musicians
NotesChapter 10; Casteism and Cultural Capital; Religious Songs as Social Songs; Songs of Mysticism; Songs of Devotion; Devotion as Obedience; Spiritual Autonomy; Moral Transformation as Societal Transformation; Dietary Abstinence and "Sanskritization"; Purity as Resistance; The Reformation of a Criminal Caste; Rediscovering "Roots"; Conclusion; Notes; Chapter 11; Singing Against the Empire; Licentiousness, Power and Possibility: Understanding the Anti-structure of Song; Máire Bhuí Ní Laeire (Yellow Mary O'Leary) and Singing Anti-colonial Discourse in Nineteenth-century Ireland
~РУБ DDC 781.5/92
Рубрики: Protest songs--History and criticism.
Music--Political aspects.
Music--Political aspects.
Protest songs.
MUSIC / Instruction & Study / Theory
Аннотация: Songs of Social Protest is a comprehensive, cutting-edge companion guide to music and social protest globally. Bringing together established and emerging scholars from a range of fields, it explores a wide range of examples of, and contexts for, songs and their performance that have been deployed as part of local, regional and global social protest movements.
Доп.точки доступа:
Dillane, Aileen, \editor.\
Power, Martin J., \editor.\
Devereux, Eoin, \editor.\
Haynes, Amanda, \editor.\
S 72
Songs of social protest : : international perspectives / / edited by Aileen Dillane, Martin J. Power, Eoin Devereux and Amanda Haynes. - London ; ; New York : : Rowman & Littlefield International,, [2018]. - 1 online resource (x, 672 pages). : il. - (Protest, media and culture). - Includes bibliographical references and index. - URL: https://library.dvfu.ru/lib/document/SK_ELIB/E8374436-33CB-4737-8968-A7ECE3084B61. - ISBN 9781786601278 (electronic book). - ISBN 1786601273 (electronic book)
Description based on online resource; title from digital title page (viewed on October 17, 2019).
Параллельные издания: Print version: : Songs of social protest. - London ; New York : Rowman & Littlefield International, [2018]. - ISBN 9781786601254
Содержание:
Cover; Songs of Social Protest; Series page; Songs of Social Protest: International Perspectives; Copyright page; Contents; Foreword; Introduction; Protest and the African American Experience; Chapter 1; Social Protest and Resistance in African American Song; The Oral Tradition; Language; Georgia Sea Island Singers; From Jim Crow to the Civil Rights Movement; Conclusions; Notes; Chapter 2; "You'll Never Hear Kumbaya the Same Way Again"; Didn't My Lord Deliver Daniel?; Come By Hyar; Which Side Are You On?; Singing Their Freedom; The Kumbaya Law; Black Liberation Then and Now
Taking Back "the real Kumbaya"Notes; Chapter 3; Billie Holiday's Popular Front Songs of Protest; "Strange Fruit," Café Society and the Left; "High Art" From Below; "Strange Fruit" for Billie Holiday; God Bless the Child; Race, Class, and the Musician as Organic Intellectual; Conclusion; Notes; Protest Genealogies; Chapter 4; Songs of Social Protest, Then and Now; Sociology and Music; Songs and Protest; Charismatic Leaders and the Transformation of Folk Songs; Social Movements; Popular Music as Protest Music; Conclusion; Note; Chapter 5; Pete Seeger and the Politics of Participation
The Road to a Constructionist ApproachRethinking "Political Music"; Audience Participation as Democratic Practice; Theorizing Audience Participation; Adorno Redux; Notes; Chapter 6; The Radicalisation of Phil Ochs, the Radicalisation of the Sixties; The Birth of a Radical; Reform, Resistance, Revolution; Radical Reform and Civil Rights; Student Power and Resistance; Goodbye to All That Liberalism; The Ringing of Revolution; Conclusion; Chapter 7; Ewan MacColl's Radio Ballads as Songs of Social Protest; Ewan MacColl: from dramatist to songwriter; The Radio Ballad concept
John Axon and the poetry of everyday speechWork and identity; Tape editing and heteroglossia; Against pop culture: On the Edge (1963); Conclusion; Notes; Chapter 8; 'Message Songs are a Drag'; Notes; Transforming Traditions; Chapter 9; Expressions of Māʻohi-ness in Contemporary Tahitian Popular Music; Expressions of Political and Social Protest in Tahiti; The Māʻohi Cultural Identity; The Tahitian Musical Landscape; Henri Hiro and his Intellectual Descendants; Orality; ʻAparima, Literature and Traditional Arts; Bobby Holcomb; Aldo Raveino; The Emergence of a new Generation of Musicians
NotesChapter 10; Casteism and Cultural Capital; Religious Songs as Social Songs; Songs of Mysticism; Songs of Devotion; Devotion as Obedience; Spiritual Autonomy; Moral Transformation as Societal Transformation; Dietary Abstinence and "Sanskritization"; Purity as Resistance; The Reformation of a Criminal Caste; Rediscovering "Roots"; Conclusion; Notes; Chapter 11; Singing Against the Empire; Licentiousness, Power and Possibility: Understanding the Anti-structure of Song; Máire Bhuí Ní Laeire (Yellow Mary O'Leary) and Singing Anti-colonial Discourse in Nineteenth-century Ireland
Рубрики: Protest songs--History and criticism.
Music--Political aspects.
Music--Political aspects.
Protest songs.
MUSIC / Instruction & Study / Theory
Аннотация: Songs of Social Protest is a comprehensive, cutting-edge companion guide to music and social protest globally. Bringing together established and emerging scholars from a range of fields, it explores a wide range of examples of, and contexts for, songs and their performance that have been deployed as part of local, regional and global social protest movements.
Доп.точки доступа:
Dillane, Aileen, \editor.\
Power, Martin J., \editor.\
Devereux, Eoin, \editor.\
Haynes, Amanda, \editor.\
2.
Подробнее
C 69
Coleman, Billy,.
Harnessing harmony : : music, power, and politics in the United States, 1788-1865 / / Billy Coleman. - Chapel Hill : : The University of North Carolina Press,, ©2020. - 1 online resource (xv, 249 pages) : : il. - Includes bibliographical references and index. - URL: https://library.dvfu.ru/lib/document/SK_ELIB/AD46BF2F-611C-4A2A-B305-876224889206. - ISBN 9781469658896 (electronic book). - ISBN 1469658895 (electronic book)
Online resource; title from resource home page (JSTOR, viewed April 12, 2021).
Параллельные издания: Print version: : Coleman, Billy. Harnessing harmony. - Chapel Hill : The University of North Carolina Press, [2020]. - ISBN 9781469658865
Содержание:
"The star-spangled banner" and the development of a federalist musical tradition -- Musical organizations and the politics of American civil society -- Music and respectability in antebellum electoral politics -- Music and the making of a conservative radical.
~РУБ DDC 306.4/8420973
Рубрики: Conservatism--History.--United States
Elite (Social sciences)--History.--United States
Political culture--History.--United States
Music--Political aspects--History--United States, 18th century.
Music--Political aspects--History--United States, 19th century.
Conservatisme--Histoire.--États-Unis
Élite (Sciences sociales)--Histoire.--États-Unis
Musique--Aspect politique--Histoire--États-Unis, 18e siècle.
Musique--Aspect politique--Histoire--États-Unis, 19e siècle.
POLITICAL SCIENCE--History & Theory.
Conservatism.
Elite (Social sciences)
Music--Political aspects.
Political culture.
United States.
Аннотация: "'Harnessing harmony' uses music to unravel the relationship between elite power and the people through their uses of culture in politics from the early national period to the Civil War. Coleman traces how understandings of musical power were used to shape the development of a popular American political culture. It explores primarily how elites, at a time of mass democratization and rapid social change, looked to music to persuade Americans to rise above political and partisan conflict to instead create a more unified, orderly, and deferential society. In doing so the work identifies a distinctively conservative strain of musical thought and action. As our readers point out, it impressively challenges prevailing scholarly assumptions about political music being more 'bottom up' than 'top down'"--
C 69
Coleman, Billy,.
Harnessing harmony : : music, power, and politics in the United States, 1788-1865 / / Billy Coleman. - Chapel Hill : : The University of North Carolina Press,, ©2020. - 1 online resource (xv, 249 pages) : : il. - Includes bibliographical references and index. - URL: https://library.dvfu.ru/lib/document/SK_ELIB/AD46BF2F-611C-4A2A-B305-876224889206. - ISBN 9781469658896 (electronic book). - ISBN 1469658895 (electronic book)
Online resource; title from resource home page (JSTOR, viewed April 12, 2021).
Параллельные издания: Print version: : Coleman, Billy. Harnessing harmony. - Chapel Hill : The University of North Carolina Press, [2020]. - ISBN 9781469658865
Содержание:
"The star-spangled banner" and the development of a federalist musical tradition -- Musical organizations and the politics of American civil society -- Music and respectability in antebellum electoral politics -- Music and the making of a conservative radical.
Рубрики: Conservatism--History.--United States
Elite (Social sciences)--History.--United States
Political culture--History.--United States
Music--Political aspects--History--United States, 18th century.
Music--Political aspects--History--United States, 19th century.
Conservatisme--Histoire.--États-Unis
Élite (Sciences sociales)--Histoire.--États-Unis
Musique--Aspect politique--Histoire--États-Unis, 18e siècle.
Musique--Aspect politique--Histoire--États-Unis, 19e siècle.
POLITICAL SCIENCE--History & Theory.
Conservatism.
Elite (Social sciences)
Music--Political aspects.
Political culture.
United States.
Аннотация: "'Harnessing harmony' uses music to unravel the relationship between elite power and the people through their uses of culture in politics from the early national period to the Civil War. Coleman traces how understandings of musical power were used to shape the development of a popular American political culture. It explores primarily how elites, at a time of mass democratization and rapid social change, looked to music to persuade Americans to rise above political and partisan conflict to instead create a more unified, orderly, and deferential society. In doing so the work identifies a distinctively conservative strain of musical thought and action. As our readers point out, it impressively challenges prevailing scholarly assumptions about political music being more 'bottom up' than 'top down'"--
Page 1, Results: 2