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D 26
Davis, (Heather Margaret),.
Plastic matter / / Heather Davis. - Durham : : Duke University Press,, 2022. - 1 online resource (xii, 161 pages) : : il. - (Elements). - Includes bibliographical references and index. - URL: https://library.dvfu.ru/lib/document/SK_ELIB/A81DA7E9-F7BB-42FC-88D4-4201576AEFE8
. - ISBN 147802237X. - ISBN 9781478022374 (electronic bk.)
Description based on print version record.
Параллельные издания: Print version: : Davis, Heather M. (Heather Margaret). Plastic matter. - Durham : Duke University Press, 2022. - ISBN 9781478015130
Содержание:
Complicated Inheritances -- Plastic Matter -- Plasticity -- Synthetic Universality -- Plastic Media -- Queer Kin -- Plastic Futures.
Рубрики: Plastics.
Plastics--Environmental aspects.
Plastics industry and trade--Social aspects.
Plastics
Matières plastiques.
Matières plastiques--Aspect de l'environnement.
Matières plastiques--Industrie--Aspect social.
SCIENCE / Environmental Science (see also Chemistry / Environmental)
SOCIAL SCIENCE / LGBTQ Studies / General.
SCIENCE / Environmental Science
Plastics.
Plastics--Environmental aspects.
Plastics industry and trade--Social aspects.
Аннотация: "Plastic is ubiquitous. It is in the Arctic, the depths of the Mariana Trench, and in the high mountaintops of the Pyrenees. It is in the air we breathe and the water we drink. Nanoplastics penetrate our cell walls. Plastic is not just any material-it is emblematic of life in the twentieth and twenty-first centuries. In Plastic Matter Heather Davis traces plastic's relations to geology, media, biology, and race to show how matter itself has come to be understood as pliable, disposable, and consumable. The invention and widespread use of plastic, Davis contends, reveals the dominance of the Western orientation to matter and its assumption that matter exists to be endlessly manipulated and controlled by humans. Plastic's materiality and pliability reinforces these expectations of what matter should be and do. Davis charts these relations to matter by tracing the queer multispecies relationships between humans and plastic-eating bacteria and analyzing photography that documents the racialized environmental violence of plastic production. In so doing, Davis provokes readers to reexamine their relationships to matter and life in light of plastic's saturation"--