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1.
Подробнее
T 82
Transcendence and film : : cinematic encounters with the real / / edited by David P. Nichols. - Lanham : : Lexington Books,, 2019. - 1 online resource (vii, 169 pages) : il. - Includes bibliographical references and index. - URL: https://library.dvfu.ru/lib/document/SK_ELIB/6734D80B-626E-4D62-91B5-931466887892. - ISBN 9781498580007 (ebook). - ISBN 1498580009
Description based on print version record and CIP data provided by publisher; resource not viewed.
Параллельные издания: Print version: : Transcendence and film. - Lanham : Lexington Books, 2019. - ISBN 9781498579995
Содержание:
The dream of anxiety in David Lynch's Mulholland Drive / Dylan Trigg -- Transcendence and tragedy in My son, my son, what have ye done / Herbert Golder -- Existenz or existenz: transcendence in the early 21st century / K. Malcolm Richards -- Earth and world: Malick's Badlands / Jason M. Wirth -- Pointing towards transcendence: when film becomes art / Frédéric Seyler -- Transcendence in phenomenology and film: Ozu's Still lives / Allan Casebier -- Asa nisi masa: Kierkegaardian repetition in Fellini's 8 1/2 / Joseph Westfall -- Transcendence and the ineffable in Scorsese's Silence / David P. Nichols -- La passion de Jeanne d'arc and the cadence of images / John B. Brough -- Ciphers of transcendence in 2001: a space odyssey / Kevin leaves Stoehr.
~РУБ DDC 791.43/653
Рубрики: Transcendence (Philosophy) in motion pictures.
PERFORMING ARTS--Reference.
Motion pictures--Philosophy.
Transcendence (Philosophy) in motion pictures.
Аннотация: In this book, ten experts in philosophy of film explore the importance of transcendence for cinema as an art form in the films of the great directors, David Cronenberg, Karl Theodor Dreyer, Federico Fellini, Werner Herzog, Stanley Kubrick, David Lynch, Terrence Malick, Yasujiro Ozu, and Martin Scorsese.
Доп.точки доступа:
Nichols, David P., (David Paul) \editor.\
T 82
Transcendence and film : : cinematic encounters with the real / / edited by David P. Nichols. - Lanham : : Lexington Books,, 2019. - 1 online resource (vii, 169 pages) : il. - Includes bibliographical references and index. - URL: https://library.dvfu.ru/lib/document/SK_ELIB/6734D80B-626E-4D62-91B5-931466887892. - ISBN 9781498580007 (ebook). - ISBN 1498580009
Description based on print version record and CIP data provided by publisher; resource not viewed.
Параллельные издания: Print version: : Transcendence and film. - Lanham : Lexington Books, 2019. - ISBN 9781498579995
Содержание:
The dream of anxiety in David Lynch's Mulholland Drive / Dylan Trigg -- Transcendence and tragedy in My son, my son, what have ye done / Herbert Golder -- Existenz or existenz: transcendence in the early 21st century / K. Malcolm Richards -- Earth and world: Malick's Badlands / Jason M. Wirth -- Pointing towards transcendence: when film becomes art / Frédéric Seyler -- Transcendence in phenomenology and film: Ozu's Still lives / Allan Casebier -- Asa nisi masa: Kierkegaardian repetition in Fellini's 8 1/2 / Joseph Westfall -- Transcendence and the ineffable in Scorsese's Silence / David P. Nichols -- La passion de Jeanne d'arc and the cadence of images / John B. Brough -- Ciphers of transcendence in 2001: a space odyssey / Kevin leaves Stoehr.
Рубрики: Transcendence (Philosophy) in motion pictures.
PERFORMING ARTS--Reference.
Motion pictures--Philosophy.
Transcendence (Philosophy) in motion pictures.
Аннотация: In this book, ten experts in philosophy of film explore the importance of transcendence for cinema as an art form in the films of the great directors, David Cronenberg, Karl Theodor Dreyer, Federico Fellini, Werner Herzog, Stanley Kubrick, David Lynch, Terrence Malick, Yasujiro Ozu, and Martin Scorsese.
Доп.точки доступа:
Nichols, David P., (David Paul) \editor.\
2.
Подробнее
C 21
Carbone, Mauro, (1956-).
Philosophy-screens : : from cinema to the digital revolution / / Mauro Carbone ; translated by Marta Nijhuis. - Albany : : State University of New York Press,, ©2019. - 1 online resource. - (SUNY series in contemporary continental philosophy). - Includes bibliographical references and index. - URL: https://library.dvfu.ru/lib/document/SK_ELIB/B7E2783C-5A45-47D5-B16F-0E22DE50BC54. - ISBN 9781438474663 (electronic bk.). - ISBN 1438474660 (electronic bk.)
Online resource; title from PDF title page (EBSCO; viewed June 20, 2019)
Содержание:
Sartre and Deleuze Via Bergson -- The philosopher and the moviemaker: Merleau-Ponty and the thinking of cinema -- The torn curtain: Lyotard, the screen and a cinema named desire -- Delimiting to exceed -- Come live with me -- Making philosophy among and through the screens.
~РУБ DDC 791.4301
Рубрики: Motion pictures--Philosophy.
Philosophy, Modern, 20th century.
Philosophy, Modern.
Philosophie, 20e siècle.
PERFORMING ARTS--Reference.
Motion pictures--Philosophy.
Philosophy, Modern.
Аннотация: "In The Flesh of Images, Mauro Carbone analyzed Merleau-Ponty's interest in film as it relates to his aesthetic theory. Philosophy-Screens broadens the work undertaken in this earlier book, looking at the ideas of other twentieth-century thinkers concerning the relationship between philosophy and film, and also extending that analysis to address the wider proliferation of screens in the twenty-first century. In the first part of the book, Carbone examines the ways that Sartre, Merleau-Ponty, Lyotard, and Deleuze grappled with the philosophical significance of cinema as a novel aesthetic medium unfolding in the twentieth century. He then considers the significance of this philosophical framework for understanding the digital revolution, in particular the extent to we are increasingly and comprehensively connected with screens. Smart phones, tablets, and computers have become a primary referential optical apparatus for everyday life in ways that influence the experience not only of seeing but also of thinking and desiring. Carbone's Philosophy-Screens follows Deleuze's call for "a philosophy-cinema" that can account for these fundamental changes in perception and aesthetic production, and adapts it to twenty-first century concerns"--
Доп.точки доступа:
Nijhuis, Marta, (1983-) \translator.\
C 21
Carbone, Mauro, (1956-).
Philosophy-screens : : from cinema to the digital revolution / / Mauro Carbone ; translated by Marta Nijhuis. - Albany : : State University of New York Press,, ©2019. - 1 online resource. - (SUNY series in contemporary continental philosophy). - Includes bibliographical references and index. - URL: https://library.dvfu.ru/lib/document/SK_ELIB/B7E2783C-5A45-47D5-B16F-0E22DE50BC54. - ISBN 9781438474663 (electronic bk.). - ISBN 1438474660 (electronic bk.)
Online resource; title from PDF title page (EBSCO; viewed June 20, 2019)
Содержание:
Sartre and Deleuze Via Bergson -- The philosopher and the moviemaker: Merleau-Ponty and the thinking of cinema -- The torn curtain: Lyotard, the screen and a cinema named desire -- Delimiting to exceed -- Come live with me -- Making philosophy among and through the screens.
Рубрики: Motion pictures--Philosophy.
Philosophy, Modern, 20th century.
Philosophy, Modern.
Philosophie, 20e siècle.
PERFORMING ARTS--Reference.
Motion pictures--Philosophy.
Philosophy, Modern.
Аннотация: "In The Flesh of Images, Mauro Carbone analyzed Merleau-Ponty's interest in film as it relates to his aesthetic theory. Philosophy-Screens broadens the work undertaken in this earlier book, looking at the ideas of other twentieth-century thinkers concerning the relationship between philosophy and film, and also extending that analysis to address the wider proliferation of screens in the twenty-first century. In the first part of the book, Carbone examines the ways that Sartre, Merleau-Ponty, Lyotard, and Deleuze grappled with the philosophical significance of cinema as a novel aesthetic medium unfolding in the twentieth century. He then considers the significance of this philosophical framework for understanding the digital revolution, in particular the extent to we are increasingly and comprehensively connected with screens. Smart phones, tablets, and computers have become a primary referential optical apparatus for everyday life in ways that influence the experience not only of seeing but also of thinking and desiring. Carbone's Philosophy-Screens follows Deleuze's call for "a philosophy-cinema" that can account for these fundamental changes in perception and aesthetic production, and adapts it to twenty-first century concerns"--
Доп.точки доступа:
Nijhuis, Marta, (1983-) \translator.\
3.
Подробнее
P 57
Philosophy, film, and the dark side of interdependence / / edited by Jonathan Beever. - Lanham : : Lexington Books,, [2020]. - 1 online resource (xxiv, 224 pages). - Includes bibliographical references and index. - URL: https://library.dvfu.ru/lib/document/SK_ELIB/38FD54B6-AD21-4F90-ACB8-9C9C9A94465C. - ISBN 179362626X (electronic book). - ISBN 9781793626264 (electronic book)
Description based on online resource; title from digital title page (viewed on March 04, 2021).
Параллельные издания: Print version: : Philosophy, film, and the dark side of interdependence. - Lanham : Lexington Books, [2020]. - ISBN 9781793626257
Содержание:
Cover -- Philosophy, Film, and the Dark Side of Interdependence -- Philosophy, Film, and the Dark Side of Interdependence -- Copyright -- Contents -- Acknowledgments -- Foreword -- Cinema as Affective Entanglement -- Fires, Darkness, and Psychic Forces -- Conclusion -- References -- Introduction -- Works Cited -- Familial Relations -- Chapter 1 -- Love and Horror -- Bong Joon-Ho and Mother -- Lee Chang-Dong and Poetry -- Caring, Memory, and Morality -- Conclusion -- Notes -- Works Cited -- Chapter 2 -- Predatory Masculinity and Domestic Violence in Charles Laughton's The Night of the Hunter
Harry Powell and the Logic of Domestic Predation -- The Prehistory of Predatory Masculinity -- Contesting Domestic Predation -- Notes -- Works Cited -- Chapter 3 -- Will God Forgive Us? -- Transcendental Style -- Visual Flatness: The World of First Reformed -- Will God Forgive Us? The Moment of Disparity -- Leaning on the Everlasting Arms: The Moment of Stasis -- Luther and the Hell of Interdependence -- Conclusion -- Notes -- Works Cited -- Social-Political Relations -- Chapter 4 -- The Dark Night of Ecological Despair -- Where First Reformed and Philosophy Meet
Disillusionment with an Inconvenient Truth -- Interdependence Turns Dark -- A Radical Response (and a Divine Interruption) -- Notes -- Works Cited -- Chapter 5 -- The Horror of Interdependence -- The Monstrous Others of Speculative Horror and Psychoanalysis -- Climate Migration Anxiety and the Horror of Interdependence -- Works Cited -- Chapter 6 -- Dissecting the Corrupted Body Politic -- It Comes at Night: A Brief Synopsis -- Hobbes's Political Philosophy: A Brief Introduction -- Fear, Dependency, and Hobbes -- A Matter of Relations: The Horror of Relations
Hobbes's Body Horror: A Brief Appraisal of the Skin -- Hobbes's Body Politic: Concord and Union, or, Flesh and the Body as a Whole -- Hobbes's Body Politic: Panopticism and Eyes in the Night -- The Failure of Relations: Conclusions -- Notes -- Works Cited -- Chapter 7 -- The Danger of Ecological and Economic Interdependence in the Films of Cormac McCarthy -- Neoliberal Interdependence in No Country for Old Men -- How Shall We Defend the Human? The Anti-Economic Logic of The Road -- Notes -- Work Cited -- Techno-Ecological Relations -- Chapter 8 -- When Dinosaurs Ruled the Earth
A Roar in the Distance -- "Life, Uh, Finds a Way": The Hubris of Being above Nature -- We Have an Asset Out of Containment, Again -- Nothing Is Natural Here: Faking, Then Forgetting Nature -- "Consumers Want Them Bigger, Louder, More Teeth" -- Conclusion: Not above, but Working within Nature -- Notes -- Works Cited -- Chapter 9 -- Weird Ecologies and the Uncanny in The Happening -- The Happening -- Act I: The Terror of Terrorism -- Act II: Madness and Plant Defense -- Interlude -- Act Three: The Lonesome Woman -- Conclusion -- Note -- Works Cited -- Chapter 10
~РУБ DDC 791.4309
Рубрики: Motion pictures--Philosophy.
Relativity.
Motion pictures--Philosophy
Relativity
Аннотация: "Why might interdependence, the idea that we are made up of our relations, be horrifying? Philosophy, Film, and the Dark Side of Interdependence argues that philosophy can outline the contours of the dark spectre, and that film can shine a light on its shadowy details, together revealing a horror of relations"--
Доп.точки доступа:
Beever, Jonathan, (1980-) \editor.\
P 57
Philosophy, film, and the dark side of interdependence / / edited by Jonathan Beever. - Lanham : : Lexington Books,, [2020]. - 1 online resource (xxiv, 224 pages). - Includes bibliographical references and index. - URL: https://library.dvfu.ru/lib/document/SK_ELIB/38FD54B6-AD21-4F90-ACB8-9C9C9A94465C. - ISBN 179362626X (electronic book). - ISBN 9781793626264 (electronic book)
Description based on online resource; title from digital title page (viewed on March 04, 2021).
Параллельные издания: Print version: : Philosophy, film, and the dark side of interdependence. - Lanham : Lexington Books, [2020]. - ISBN 9781793626257
Содержание:
Cover -- Philosophy, Film, and the Dark Side of Interdependence -- Philosophy, Film, and the Dark Side of Interdependence -- Copyright -- Contents -- Acknowledgments -- Foreword -- Cinema as Affective Entanglement -- Fires, Darkness, and Psychic Forces -- Conclusion -- References -- Introduction -- Works Cited -- Familial Relations -- Chapter 1 -- Love and Horror -- Bong Joon-Ho and Mother -- Lee Chang-Dong and Poetry -- Caring, Memory, and Morality -- Conclusion -- Notes -- Works Cited -- Chapter 2 -- Predatory Masculinity and Domestic Violence in Charles Laughton's The Night of the Hunter
Harry Powell and the Logic of Domestic Predation -- The Prehistory of Predatory Masculinity -- Contesting Domestic Predation -- Notes -- Works Cited -- Chapter 3 -- Will God Forgive Us? -- Transcendental Style -- Visual Flatness: The World of First Reformed -- Will God Forgive Us? The Moment of Disparity -- Leaning on the Everlasting Arms: The Moment of Stasis -- Luther and the Hell of Interdependence -- Conclusion -- Notes -- Works Cited -- Social-Political Relations -- Chapter 4 -- The Dark Night of Ecological Despair -- Where First Reformed and Philosophy Meet
Disillusionment with an Inconvenient Truth -- Interdependence Turns Dark -- A Radical Response (and a Divine Interruption) -- Notes -- Works Cited -- Chapter 5 -- The Horror of Interdependence -- The Monstrous Others of Speculative Horror and Psychoanalysis -- Climate Migration Anxiety and the Horror of Interdependence -- Works Cited -- Chapter 6 -- Dissecting the Corrupted Body Politic -- It Comes at Night: A Brief Synopsis -- Hobbes's Political Philosophy: A Brief Introduction -- Fear, Dependency, and Hobbes -- A Matter of Relations: The Horror of Relations
Hobbes's Body Horror: A Brief Appraisal of the Skin -- Hobbes's Body Politic: Concord and Union, or, Flesh and the Body as a Whole -- Hobbes's Body Politic: Panopticism and Eyes in the Night -- The Failure of Relations: Conclusions -- Notes -- Works Cited -- Chapter 7 -- The Danger of Ecological and Economic Interdependence in the Films of Cormac McCarthy -- Neoliberal Interdependence in No Country for Old Men -- How Shall We Defend the Human? The Anti-Economic Logic of The Road -- Notes -- Work Cited -- Techno-Ecological Relations -- Chapter 8 -- When Dinosaurs Ruled the Earth
A Roar in the Distance -- "Life, Uh, Finds a Way": The Hubris of Being above Nature -- We Have an Asset Out of Containment, Again -- Nothing Is Natural Here: Faking, Then Forgetting Nature -- "Consumers Want Them Bigger, Louder, More Teeth" -- Conclusion: Not above, but Working within Nature -- Notes -- Works Cited -- Chapter 9 -- Weird Ecologies and the Uncanny in The Happening -- The Happening -- Act I: The Terror of Terrorism -- Act II: Madness and Plant Defense -- Interlude -- Act Three: The Lonesome Woman -- Conclusion -- Note -- Works Cited -- Chapter 10
Рубрики: Motion pictures--Philosophy.
Relativity.
Motion pictures--Philosophy
Relativity
Аннотация: "Why might interdependence, the idea that we are made up of our relations, be horrifying? Philosophy, Film, and the Dark Side of Interdependence argues that philosophy can outline the contours of the dark spectre, and that film can shine a light on its shadowy details, together revealing a horror of relations"--
Доп.точки доступа:
Beever, Jonathan, (1980-) \editor.\
4.
Подробнее
P 80
Politics, literature, and film in conversation : : essays in honor of Mary P. Nichols / / edited by Matthew D. Dinan, Natalie Taylor, Denise Schaeffer, and Paul E. Kirkland. - Lanham : : Lexington Books,, [2021]. - 1 online resource (vii, 236 pages). - (Politics, literature, & film). - Includes bibliographical references and index. - URL: https://library.dvfu.ru/lib/document/SK_ELIB/F9B1AA69-0062-4249-AEE5-C03E18B68850. - ISBN 1498585906 (electronic book). - ISBN 9781498585903 (electronic bk.)
Description based on online resource; title from digital title page (viewed on June 12, 2021).
Параллельные издания: Print version: : Nichols, Mary P. Politics, literature, and film in conversation. - Lanham : Lexington Books, 2021. - ISBN 9781498585897
Содержание:
Part I. Conversations about love and friendship -- The good, truth, and friendship in Aristotle's Nicomachean ethics / Stephen Block and Patrick Cain -- Friendship and solitude of greatness: the case of Charles de Gaulle / Daniel Mahoney -- Love and friendship in Henry James's The Bostonians / Lisa Pace Vetter -- Whit Woody Barcelona: Love and friendship in Whit Stillman's Barcelona and Woody Allen's Vicky, Cristina, Barcelona / Ann Ward and Lee Ward -- Part II. Conversations between politics and poetry -- Putting together courage and moderation in Plato and Shakespeare / Kenneth DeLuca -- Shakespeare's princess: education for love and rule in The tempest / Paul E. Kirkland -- Reading Tolkien through the lens of Solzhenitsyn's analysis of ideology: on art. responsibility, and progress / Germaine Paulo Walsh -- Social dance in the films of Whit Stillman / Carl Eric Scott -- Part III. Conversations from tragedy to comedy -- History, tragedy and rebellion in Camus' conversation with Mary Wollstonecraft / Natalie Fuehrer Taylor -- From tragedy to love: Shakespeare's The winter's tale / Sara MacDonald -- The tragic and equitable in Aristotle's Poetics and Ethics / Stephen Sims -- Appendix: List of publications by Mary P. Nichols.
~РУБ DDC 801
Рубрики: Literature--Philosophy.
Motion pictures--Philosophy.
Political science--Philosophy.
Literature--Philosophy.
Motion pictures--Philosophy.
Political science--Philosophy.
Аннотация: "Inspired and in honor of the work of noted political theorist Mary P. Nichols, the essays in this volume explore political ideas and implications in a range of works of philosophy, literature, and film from classical antiquity to the present day, creating an interdisciplinary conversation across genres"--
Доп.точки доступа:
Nichols, Mary P., \honoree.\
Dinan, Matthew D., \editor.\
Taylor, Natalie, \editor.\
Schaeffer, Denise, (1968-) \editor.\
Kirkland, Paul E., (1972-) \editor.\
P 80
Politics, literature, and film in conversation : : essays in honor of Mary P. Nichols / / edited by Matthew D. Dinan, Natalie Taylor, Denise Schaeffer, and Paul E. Kirkland. - Lanham : : Lexington Books,, [2021]. - 1 online resource (vii, 236 pages). - (Politics, literature, & film). - Includes bibliographical references and index. - URL: https://library.dvfu.ru/lib/document/SK_ELIB/F9B1AA69-0062-4249-AEE5-C03E18B68850. - ISBN 1498585906 (electronic book). - ISBN 9781498585903 (electronic bk.)
Description based on online resource; title from digital title page (viewed on June 12, 2021).
Параллельные издания: Print version: : Nichols, Mary P. Politics, literature, and film in conversation. - Lanham : Lexington Books, 2021. - ISBN 9781498585897
Содержание:
Part I. Conversations about love and friendship -- The good, truth, and friendship in Aristotle's Nicomachean ethics / Stephen Block and Patrick Cain -- Friendship and solitude of greatness: the case of Charles de Gaulle / Daniel Mahoney -- Love and friendship in Henry James's The Bostonians / Lisa Pace Vetter -- Whit Woody Barcelona: Love and friendship in Whit Stillman's Barcelona and Woody Allen's Vicky, Cristina, Barcelona / Ann Ward and Lee Ward -- Part II. Conversations between politics and poetry -- Putting together courage and moderation in Plato and Shakespeare / Kenneth DeLuca -- Shakespeare's princess: education for love and rule in The tempest / Paul E. Kirkland -- Reading Tolkien through the lens of Solzhenitsyn's analysis of ideology: on art. responsibility, and progress / Germaine Paulo Walsh -- Social dance in the films of Whit Stillman / Carl Eric Scott -- Part III. Conversations from tragedy to comedy -- History, tragedy and rebellion in Camus' conversation with Mary Wollstonecraft / Natalie Fuehrer Taylor -- From tragedy to love: Shakespeare's The winter's tale / Sara MacDonald -- The tragic and equitable in Aristotle's Poetics and Ethics / Stephen Sims -- Appendix: List of publications by Mary P. Nichols.
Рубрики: Literature--Philosophy.
Motion pictures--Philosophy.
Political science--Philosophy.
Literature--Philosophy.
Motion pictures--Philosophy.
Political science--Philosophy.
Аннотация: "Inspired and in honor of the work of noted political theorist Mary P. Nichols, the essays in this volume explore political ideas and implications in a range of works of philosophy, literature, and film from classical antiquity to the present day, creating an interdisciplinary conversation across genres"--
Доп.точки доступа:
Nichols, Mary P., \honoree.\
Dinan, Matthew D., \editor.\
Taylor, Natalie, \editor.\
Schaeffer, Denise, (1968-) \editor.\
Kirkland, Paul E., (1972-) \editor.\
Страница 1, Результатов: 4