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1.
Подробнее
T 82
Transcendence and film : : cinematic encounters with the real / / edited by David P. Nichols. - Lanham : : Lexington Books,, 2019. - 1 online resource (vii, 169 pages) : il. - Includes bibliographical references and index. - URL: https://library.dvfu.ru/lib/document/SK_ELIB/6734D80B-626E-4D62-91B5-931466887892. - ISBN 9781498580007 (ebook). - ISBN 1498580009
Description based on print version record and CIP data provided by publisher; resource not viewed.
Параллельные издания: Print version: : Transcendence and film. - Lanham : Lexington Books, 2019. - ISBN 9781498579995
Содержание:
The dream of anxiety in David Lynch's Mulholland Drive / Dylan Trigg -- Transcendence and tragedy in My son, my son, what have ye done / Herbert Golder -- Existenz or existenz: transcendence in the early 21st century / K. Malcolm Richards -- Earth and world: Malick's Badlands / Jason M. Wirth -- Pointing towards transcendence: when film becomes art / Frédéric Seyler -- Transcendence in phenomenology and film: Ozu's Still lives / Allan Casebier -- Asa nisi masa: Kierkegaardian repetition in Fellini's 8 1/2 / Joseph Westfall -- Transcendence and the ineffable in Scorsese's Silence / David P. Nichols -- La passion de Jeanne d'arc and the cadence of images / John B. Brough -- Ciphers of transcendence in 2001: a space odyssey / Kevin leaves Stoehr.
~РУБ DDC 791.43/653
Рубрики: Transcendence (Philosophy) in motion pictures.
PERFORMING ARTS--Reference.
Motion pictures--Philosophy.
Transcendence (Philosophy) in motion pictures.
Аннотация: In this book, ten experts in philosophy of film explore the importance of transcendence for cinema as an art form in the films of the great directors, David Cronenberg, Karl Theodor Dreyer, Federico Fellini, Werner Herzog, Stanley Kubrick, David Lynch, Terrence Malick, Yasujiro Ozu, and Martin Scorsese.
Доп.точки доступа:
Nichols, David P., (David Paul) \editor.\
T 82
Transcendence and film : : cinematic encounters with the real / / edited by David P. Nichols. - Lanham : : Lexington Books,, 2019. - 1 online resource (vii, 169 pages) : il. - Includes bibliographical references and index. - URL: https://library.dvfu.ru/lib/document/SK_ELIB/6734D80B-626E-4D62-91B5-931466887892. - ISBN 9781498580007 (ebook). - ISBN 1498580009
Description based on print version record and CIP data provided by publisher; resource not viewed.
Параллельные издания: Print version: : Transcendence and film. - Lanham : Lexington Books, 2019. - ISBN 9781498579995
Содержание:
The dream of anxiety in David Lynch's Mulholland Drive / Dylan Trigg -- Transcendence and tragedy in My son, my son, what have ye done / Herbert Golder -- Existenz or existenz: transcendence in the early 21st century / K. Malcolm Richards -- Earth and world: Malick's Badlands / Jason M. Wirth -- Pointing towards transcendence: when film becomes art / Frédéric Seyler -- Transcendence in phenomenology and film: Ozu's Still lives / Allan Casebier -- Asa nisi masa: Kierkegaardian repetition in Fellini's 8 1/2 / Joseph Westfall -- Transcendence and the ineffable in Scorsese's Silence / David P. Nichols -- La passion de Jeanne d'arc and the cadence of images / John B. Brough -- Ciphers of transcendence in 2001: a space odyssey / Kevin leaves Stoehr.
Рубрики: Transcendence (Philosophy) in motion pictures.
PERFORMING ARTS--Reference.
Motion pictures--Philosophy.
Transcendence (Philosophy) in motion pictures.
Аннотация: In this book, ten experts in philosophy of film explore the importance of transcendence for cinema as an art form in the films of the great directors, David Cronenberg, Karl Theodor Dreyer, Federico Fellini, Werner Herzog, Stanley Kubrick, David Lynch, Terrence Malick, Yasujiro Ozu, and Martin Scorsese.
Доп.точки доступа:
Nichols, David P., (David Paul) \editor.\
2.
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C 21
Carbone, Mauro, (1956-).
Philosophy-screens : : from cinema to the digital revolution / / Mauro Carbone ; translated by Marta Nijhuis. - Albany : : State University of New York Press,, ©2019. - 1 online resource. - (SUNY series in contemporary continental philosophy). - Includes bibliographical references and index. - URL: https://library.dvfu.ru/lib/document/SK_ELIB/B7E2783C-5A45-47D5-B16F-0E22DE50BC54. - ISBN 9781438474663 (electronic bk.). - ISBN 1438474660 (electronic bk.)
Online resource; title from PDF title page (EBSCO; viewed June 20, 2019)
Содержание:
Sartre and Deleuze Via Bergson -- The philosopher and the moviemaker: Merleau-Ponty and the thinking of cinema -- The torn curtain: Lyotard, the screen and a cinema named desire -- Delimiting to exceed -- Come live with me -- Making philosophy among and through the screens.
~РУБ DDC 791.4301
Рубрики: Motion pictures--Philosophy.
Philosophy, Modern, 20th century.
Philosophy, Modern.
Philosophie, 20e siècle.
PERFORMING ARTS--Reference.
Motion pictures--Philosophy.
Philosophy, Modern.
Аннотация: "In The Flesh of Images, Mauro Carbone analyzed Merleau-Ponty's interest in film as it relates to his aesthetic theory. Philosophy-Screens broadens the work undertaken in this earlier book, looking at the ideas of other twentieth-century thinkers concerning the relationship between philosophy and film, and also extending that analysis to address the wider proliferation of screens in the twenty-first century. In the first part of the book, Carbone examines the ways that Sartre, Merleau-Ponty, Lyotard, and Deleuze grappled with the philosophical significance of cinema as a novel aesthetic medium unfolding in the twentieth century. He then considers the significance of this philosophical framework for understanding the digital revolution, in particular the extent to we are increasingly and comprehensively connected with screens. Smart phones, tablets, and computers have become a primary referential optical apparatus for everyday life in ways that influence the experience not only of seeing but also of thinking and desiring. Carbone's Philosophy-Screens follows Deleuze's call for "a philosophy-cinema" that can account for these fundamental changes in perception and aesthetic production, and adapts it to twenty-first century concerns"--
Доп.точки доступа:
Nijhuis, Marta, (1983-) \translator.\
C 21
Carbone, Mauro, (1956-).
Philosophy-screens : : from cinema to the digital revolution / / Mauro Carbone ; translated by Marta Nijhuis. - Albany : : State University of New York Press,, ©2019. - 1 online resource. - (SUNY series in contemporary continental philosophy). - Includes bibliographical references and index. - URL: https://library.dvfu.ru/lib/document/SK_ELIB/B7E2783C-5A45-47D5-B16F-0E22DE50BC54. - ISBN 9781438474663 (electronic bk.). - ISBN 1438474660 (electronic bk.)
Online resource; title from PDF title page (EBSCO; viewed June 20, 2019)
Содержание:
Sartre and Deleuze Via Bergson -- The philosopher and the moviemaker: Merleau-Ponty and the thinking of cinema -- The torn curtain: Lyotard, the screen and a cinema named desire -- Delimiting to exceed -- Come live with me -- Making philosophy among and through the screens.
Рубрики: Motion pictures--Philosophy.
Philosophy, Modern, 20th century.
Philosophy, Modern.
Philosophie, 20e siècle.
PERFORMING ARTS--Reference.
Motion pictures--Philosophy.
Philosophy, Modern.
Аннотация: "In The Flesh of Images, Mauro Carbone analyzed Merleau-Ponty's interest in film as it relates to his aesthetic theory. Philosophy-Screens broadens the work undertaken in this earlier book, looking at the ideas of other twentieth-century thinkers concerning the relationship between philosophy and film, and also extending that analysis to address the wider proliferation of screens in the twenty-first century. In the first part of the book, Carbone examines the ways that Sartre, Merleau-Ponty, Lyotard, and Deleuze grappled with the philosophical significance of cinema as a novel aesthetic medium unfolding in the twentieth century. He then considers the significance of this philosophical framework for understanding the digital revolution, in particular the extent to we are increasingly and comprehensively connected with screens. Smart phones, tablets, and computers have become a primary referential optical apparatus for everyday life in ways that influence the experience not only of seeing but also of thinking and desiring. Carbone's Philosophy-Screens follows Deleuze's call for "a philosophy-cinema" that can account for these fundamental changes in perception and aesthetic production, and adapts it to twenty-first century concerns"--
Доп.точки доступа:
Nijhuis, Marta, (1983-) \translator.\
3.
Подробнее
R 51
Rhodes, Gary Don, (1972-).
The birth of the American horror film / / Gary D. Rhodes. - 54321. - Edinburgh : : Edinburgh University Press,, ©2018. - 1 online resource (xi, 420 pages) : : il ( час. мин.), 54321. - Includes bibliographical references and index. - URL: https://library.dvfu.ru/lib/document/SK_ELIB/C2FBF528-8985-4D0B-B214-CD10849B666D. - ISBN 9781474430876 (electronic bk.). - ISBN 1474430872 (electronic bk.)
Print version record.
Параллельные издания: Print version: : Rhodes, Gary Don, 1972- Birth of the American horror film. - Edinburgh : Edinburgh University Press, [2018]. - ISBN 9781474430869
Содержание:
Intro; Figures; Acknowledgments; Introduction; SECTION I The Rise of Horror-themed Cinema; CHAPTER 1 Literature; CHAPTER 2 Theatre; CHAPTER 3 Visual Culture; CHAPTER 4 Moving Pictures; SECTION II Film Genres; CHAPTER 5 Devils; CHAPTER 6 Witches; CHAPTER 7 Ghosts; CHAPTER 8 Supernatural Creatures; CHAPTER 9 Death, Murder, and Execution; CHAPTER 10 Evolution and Devolution; CHAPTER 11 The Other(s); CHAPTER 12 The Powers of the Mind; CHAPTER 13 Mad Scientists; CHAPTER 14 American Literature Onscreen; SECTION III Exhibition and Reception; CHAPTER 15 Exhibition and Reception; Index
~РУБ DDC 791.43/61640973
Рубрики: Horror films--History and criticism.--United States
PERFORMING ARTS--Reference.
Horror films.
PERFORMING ARTS / Film & Video / Direction & Production
United States.
Аннотация: Explains how the American horror movie came into existence. Although early cinema has long been a key area of research in film studies, the origin and development of the horror film has been a neglected subject for what is arguably one of the world's most popular film genres. Using thousands of primary sources and long-unseen illustrations, 'The Birth of the American Horror Film' examines a history that begins in colonial Salem, taking an interdisciplinary approach to explore the influence of horror-themed literature, theatre and visual culture in America, and how that context established an amorphous structural foundation for films produced between 1895 and 1915. Exhaustively researched, bridging scholarship on Horror Studies and Early Cinema, 'The Birth of the American Horror Film' is the first major study dedicated to this vital but often overlooked subject. Suitable for use on courses focusing on Film History, Genre and Horror.
R 51
Rhodes, Gary Don, (1972-).
The birth of the American horror film / / Gary D. Rhodes. - 54321. - Edinburgh : : Edinburgh University Press,, ©2018. - 1 online resource (xi, 420 pages) : : il ( час. мин.), 54321. - Includes bibliographical references and index. - URL: https://library.dvfu.ru/lib/document/SK_ELIB/C2FBF528-8985-4D0B-B214-CD10849B666D. - ISBN 9781474430876 (electronic bk.). - ISBN 1474430872 (electronic bk.)
Print version record.
Параллельные издания: Print version: : Rhodes, Gary Don, 1972- Birth of the American horror film. - Edinburgh : Edinburgh University Press, [2018]. - ISBN 9781474430869
Содержание:
Intro; Figures; Acknowledgments; Introduction; SECTION I The Rise of Horror-themed Cinema; CHAPTER 1 Literature; CHAPTER 2 Theatre; CHAPTER 3 Visual Culture; CHAPTER 4 Moving Pictures; SECTION II Film Genres; CHAPTER 5 Devils; CHAPTER 6 Witches; CHAPTER 7 Ghosts; CHAPTER 8 Supernatural Creatures; CHAPTER 9 Death, Murder, and Execution; CHAPTER 10 Evolution and Devolution; CHAPTER 11 The Other(s); CHAPTER 12 The Powers of the Mind; CHAPTER 13 Mad Scientists; CHAPTER 14 American Literature Onscreen; SECTION III Exhibition and Reception; CHAPTER 15 Exhibition and Reception; Index
Рубрики: Horror films--History and criticism.--United States
PERFORMING ARTS--Reference.
Horror films.
PERFORMING ARTS / Film & Video / Direction & Production
United States.
Аннотация: Explains how the American horror movie came into existence. Although early cinema has long been a key area of research in film studies, the origin and development of the horror film has been a neglected subject for what is arguably one of the world's most popular film genres. Using thousands of primary sources and long-unseen illustrations, 'The Birth of the American Horror Film' examines a history that begins in colonial Salem, taking an interdisciplinary approach to explore the influence of horror-themed literature, theatre and visual culture in America, and how that context established an amorphous structural foundation for films produced between 1895 and 1915. Exhaustively researched, bridging scholarship on Horror Studies and Early Cinema, 'The Birth of the American Horror Film' is the first major study dedicated to this vital but often overlooked subject. Suitable for use on courses focusing on Film History, Genre and Horror.
4.
Подробнее
C 58
Cinematic metaphor in perspective : : reflections on a transdisciplinary framework / / edited by Sarah Greifenstein, Dorothea Horst, Thomas Scherer, Christina Schmitt, Hermann Kappelhoff, and Cornelia Müller. - 1515/9783110615036. - Berlin ; ; Boston : : De Gruyter,, ©2018. - 1 online resource (158 pages) ( час. мин.), 1515/9783110615036. - (Cinepoetics - English edition ; ; 5) (Cinepoetics ; ; volume 5). - Includes bibliographical references and indexes. - URL: https://library.dvfu.ru/lib/document/SK_ELIB/FA9E3628-B22D-4AE8-A104-026DD49C1F23. - ISBN 9783110615036 (electronic book). - ISBN 3110615037 (electronic book). - ISBN 9783110613889 (electronic bk.). - ISBN 3110613883 (electronic bk.)
Online resource; title from PDF title page (publisher's Web site, viewed 23. Okt 2018).
Параллельные издания:
1.
2.
~РУБ DDC 791.4301
Рубрики: Metaphor in motion pictures.
Cinematography.
Motion pictures.
Métaphore au cinéma.
Cinéma.
cinematography.
PERFORMING ARTS--Reference.
Cinematography.
Metaphor in motion pictures.
Аннотация: Over centuries, scholars have explored how metaphor contributes to thought, language, culture. This collection of essays reflects on Müller, Kappelhoff, and colleagues' transdisciplinary (film studies and linguistics) approach formulated in "Cinematic Metaphor: Experience - Affectivity - Temporality". The key concept of cinematic metaphor opens up reflections on metaphor as a form of embodied meaning-making in human life across disciplines. The book documents collaborative work, reflecting intense, sometimes controversial, discussions across disciplinary boundaries. In this edited volume, renowned authors explore how exposure to the framework of Cinematic Metaphor inspires their views of metaphor in film and of metaphor theory and analysis more generally. Contributions include explorations from the point of view of applied linguistics (Lynne Cameron), cognitive linguistics (Alan Cienki), media studies (Kathrin Fahlenbrach), media history (Michael Wedel), philosophy (Anne Eusterschulte), and psychology (Raymond W. Gibbs, Jr.).
Доп.точки доступа:
Greifenstein, Sarah, \editor.\
Horst, Dorothea, \editor.\
Kappelhoff, Hermann, \editor.\
Müller, Cornelia, (1960-) \editor.\
Scherer, Thomas ((Film scholar),) \editor.\
Schmitt, Christina, \editor.\
C 58
Cinematic metaphor in perspective : : reflections on a transdisciplinary framework / / edited by Sarah Greifenstein, Dorothea Horst, Thomas Scherer, Christina Schmitt, Hermann Kappelhoff, and Cornelia Müller. - 1515/9783110615036. - Berlin ; ; Boston : : De Gruyter,, ©2018. - 1 online resource (158 pages) ( час. мин.), 1515/9783110615036. - (Cinepoetics - English edition ; ; 5) (Cinepoetics ; ; volume 5). - Includes bibliographical references and indexes. - URL: https://library.dvfu.ru/lib/document/SK_ELIB/FA9E3628-B22D-4AE8-A104-026DD49C1F23. - ISBN 9783110615036 (electronic book). - ISBN 3110615037 (electronic book). - ISBN 9783110613889 (electronic bk.). - ISBN 3110613883 (electronic bk.)
Online resource; title from PDF title page (publisher's Web site, viewed 23. Okt 2018).
Параллельные издания:
1.
2.
Рубрики: Metaphor in motion pictures.
Cinematography.
Motion pictures.
Métaphore au cinéma.
Cinéma.
cinematography.
PERFORMING ARTS--Reference.
Cinematography.
Metaphor in motion pictures.
Аннотация: Over centuries, scholars have explored how metaphor contributes to thought, language, culture. This collection of essays reflects on Müller, Kappelhoff, and colleagues' transdisciplinary (film studies and linguistics) approach formulated in "Cinematic Metaphor: Experience - Affectivity - Temporality". The key concept of cinematic metaphor opens up reflections on metaphor as a form of embodied meaning-making in human life across disciplines. The book documents collaborative work, reflecting intense, sometimes controversial, discussions across disciplinary boundaries. In this edited volume, renowned authors explore how exposure to the framework of Cinematic Metaphor inspires their views of metaphor in film and of metaphor theory and analysis more generally. Contributions include explorations from the point of view of applied linguistics (Lynne Cameron), cognitive linguistics (Alan Cienki), media studies (Kathrin Fahlenbrach), media history (Michael Wedel), philosophy (Anne Eusterschulte), and psychology (Raymond W. Gibbs, Jr.).
Доп.точки доступа:
Greifenstein, Sarah, \editor.\
Horst, Dorothea, \editor.\
Kappelhoff, Hermann, \editor.\
Müller, Cornelia, (1960-) \editor.\
Scherer, Thomas ((Film scholar),) \editor.\
Schmitt, Christina, \editor.\
Страница 1, Результатов: 4